stepping-stones

The block on Kingsway between Wales and Rhodes streets has light pedestrian traffic. As we are installing the last mosaic pieces in the two entries to the park the protective fence is still there. Norquay Park has been a construction zone since July of last year. The few people that pass by either slow down beside us or stop.

They are all curious as to when the park will be open again. They also notice the mosaic pieces and seem impressed with their beauty. Along the progress with installation we’ve gradually been able to get the sense of significance this project has in the upgraded park. The entry pieces have a good impact as gate decorations.

The history of Still Creek is one in many similar stories of urban industrialization, reflection and rehabilitation. Today the Vancouver part of the creek is still mostly hidden in underground pipes or behind chain link fences. From its designation as the most polluted stream in BC in the 1980s, much progress has been made and much more is required. Serious work has been taken to bring it back to a liveable natural element in urban space. The Norquay Park 2010 Clean Water Mosaic project is one stepping stone in a long educational journey.

Funding for our part of the journey came from the Vancouver Board of Parks and Recreation, the Vancouver Neighborhood Matching Fund and Collingwood Neighborhood House. The intention of this collaboration between budgetary resources is to facilitate community interaction. Participation in the building process of the park enhances the sense of ownership over the neighbourhood.

Members in the community were brought together to create a visual reminder for all to enjoy. Twenty pieces were created in this process and are now integrated in the concrete sections of the paths in the park. After entering either from its west or east entries you are welcome to explore the park and find the other mosaic pieces. All of them are a result of many hours shared by community members who participated in our workshops. It is our pleasure to thank them all, seniors, adults and youth for their contribution.

Installing our mosaics provided us with the opportunity to work closely with the architects and builders who were responsible for the function of the park. The result of their work is a fabulous space with a great sense of place.

The conclusion of this project brings me back to its starting point. In the research for mosaic making we met Liz Calvin and Bruce Walther. These two mosaic artists’ work can be seen in many places around and out of town. Without their generosity this project would have looked completely different. A sample of their collaboration can be seen in Downtown Vancouver where a set of eighteen pieces are placed.

Many more contacts were made throughout the process. Yoko and I are grateful to all who helped us get to this stage. Our own collaboration started with mutual interest in this experience and ends with excitement over the accomplishment. Just like the small pieces of a mosaic tile tell a story, the whole set of twenty expands this into space and time. This is a reflection on industrialization and rehabilitation.

mind off; hands on. community building

You can be done with laying tiles for a small mosaic in a short one hour and a half session. When it comes to working with the community this is what most people want on the one hand. On the other, the promise to have them learn is greatly compromised this way.

The hands-on approach allows for a fulfilling experience. The trick is to turn this into a rhythmic succession of learning waves. People can then both make something with their own hands and gain pieces of knowledge through their hands. The opportunity starts with a simple "I don't know how to draw". You never know immediately what makes people say that but with patience and persistence I usually find out that the person had something else on their mind. It could be the task that wasn't to their liking or simply a way to get some attention.

It's hard to predict exactly how a broken tiles mosaic will look like. The hammer strokes randomly produce pieces that are then placed on the design in a process similar to solving a puzzle. Playing with tiles before drawing a design on paper, helps in envisioning a style. This can later on be reproduced with realistic expectations. It would be interesting to see how the image above translates into a mosaic with the broken tiles system.

The same can be said about this drawing. Two variants are the main influence upon the quality of the final piece: the skill level of your audience and each of the participants' degree of engagement.

The sense of ownership that evolves through the process is present within the group no matter what age they are. The real benefit though of this project is getting people to interact in a way that is both fun and educational. A city needs this type of community building to really serve its purpose.

what people will understand

The design process takes us through steps of exploring options before we start fabricating. We'd like to check grout color, both within the tile and surrounding it; seeing the proportion of a tile on site can give a sense of its impact; understanding what to expect is also helpful when working in a team with a wide variety of skill levels. The Norquay Park mosaic project is a Matching Fund operation. Anyone from the community is invited to participate in workshops designed to facilitate the fabrication of mosaic tiles. Yoko and I will later on install them on site.

The color of grout greatly affects the way a mosaic looks. In this example the exact same design of tiles is completely transformed when illustrated with three different shades of grout.

It's also useful to get a sense of how a piece might look as its surroundings age. A quick test can let us make decisions relating to priorities ranging from choice of tiles to selection of colors. Three sidewalks of different degrees of wear were shot for this spread. The image of the tile was gently manipulated to illustrate a similar process of aging.

As we are making progress with the workshops, it's useful to continue exploring some of the techniques we will be using with the public. Some would step into work without hesitation. Others will express difficulties with unexpected issues. "I'm too lazy today" I've heard on the first session. Another one can't draw. The fact that they come to this workshop by their own choice puts things in an interesting perspective. The challenge in education is in what others will understand, not what they don't.

Other tests are made on the way. Some are merely illustrations done on the computer. But it's always working with the real materials when results start to give you a tangible sense of what things will actually look like. Even then, the tools we have on the computer help in saving time, money, and resources.

Then it's time to interact with our artists - the kids and other men and women from the community. They come to have fun, but are about to create a legacy for their own neighborhood.

fundraising, volunteering, marketing

Supporting MACHiNENOiSY in their efforts to create art performances in the form of dance, is an intriguing experience for me. As board member of their non profit society I am learning a thing or two about what it's like to be a "starving" artist.

MACHiNENOiSY is a contemporary dance company based in Vancouver under the artistic direction of Delia Brett and Daelik. In the past three years the company has performed in Greece, France, Berlin, Vienna, Vancouver and Victoria, collaborating with some of Europe's finest dancers and choreographers, and steadily building a portfolio of cutting-edge dance.

The company's mandate is to foster the research and creation of innovative performances that transcend the traditional notions of dance and theatre. Delia and Daelik are dedicated to the investigation of movement as an expressive art form and to the creative exchange of ideas. To these ends they actively strive to collaborate with other artistic mediums and interact with the international dance community. Above all, they are dedicated to creating work that possesses physical clarity and emotional truth. See www.machinenoisy.com for more information.
On Saturday, November 28th, MACHiNENOiSY are having their 4th annual wine raffle/house party fundraiser. 2009 was a wonderful year for the company, and 2010 is set to be even more exciting. For this event I have volunteered to design an invitation that was circulated among our group of friends and board members. We are hoping to Raise $2000. If you read this and would like to join, please don't hesitate to get in touch: info@machinenoisy.com.
If you decide you want to buy a ticket, your online option to do this would be to get into the website http://www.machinenoisy.com/. Click the DONATE title to make a $20 donation per ticket through PayPal and click on the "donate" button. Please send MN a quick note letting us know you've done so and we'll set aside the ticket(s) for you; unfortunately, it's not tax-deductible, MACHiNENOiSY doesn't have charitable status yet.
Please be advised, the first prize can only be dlivered within BC Canada